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Description complète d'orgue sélectionné
Kroppenstedt, Deutschland (Sachsen-Anhalt) - Sankt Martinikirche
Commune: Kroppenstedt
Adresse: Am Kirchhof, 39397, Kroppenstedt

Description no.: 2023129.

Bâti par: Adolf Reubke & Sohn (1858)
L'orgue comprend le parent le matériel: de 1613 de Esaias Compenius

Année	Facteur	Opus	Activité
1613	Esaias Compenius		orgue neuf
1836	Wilhelm Boden		restauration
1859	Adolf Reubke & Sohn		orgue neuf dans buffet vieille
1958	Wilhelm Sohnle		changer la disposition
2014	Reinhard Hüfken		restauration

In the years 1603-1613 Esaias Compenius built a two-manual organ with an independent pedal for the Martinikirche in Kroppenstedt. The instrument was modified over time. Wilhelm Boden carried out a restoration in 1836. Because the organ was old and no longer popular, August Gottfried Ritter advised to have a new organ built. On his advice, the commission was given to Adolf Reubke, who built a new organ behind the old prospect in 1858/1859, using reusable Compenius pipework.
The prospect pipes were removed in 1917. These were not replaced, but a red cloth was hung in the instrument to cover the empty places. In the years 1957/1958, Wilhelm Sohnle carried out a restoration, changing the romantic stop list to make it sound brighter. The organ has been preserved in this condition. For a long time it was thought that the old pipe work from before 1858 came from the old organ of the Dom in Magdeburg, but further investigation has shown that this is not correct, but that it was made by Compenius for the old organ of the church in Kroppenstedt itself.

Données techniques

Nombre de registres par manuel
- I. Manual	9
- II. Manual	7
- Pedal	4
Nombre de jeux total	20
Transmission des clés	Mechanical
Transmission des jeux	Mechanical
Sommier(s)	Slider chests

Composition
I. Manual (C-f'''): Pommer 16' - 1858/1958, Prinzipal 8', Gedackt 8' - 1613/1858, Holzflöte 8', Oktave 4', Spitzflöte 4' - 1958, Nasat 2 2/3' - 1958, Oktave 2', Mixtur 4-5 fach (1 1/3') - 1958.
II. Manual (C-f'''): Singend Gedackt 8' - 1613/1858, Salizional 8' - Röver, Prinzipal 4', Rohrflöte 4' - 1613, Spitzflöte 2' - 1613, Sesquialter 2 fach (1 3/5'+1 1/3') - 1958; vanaf c 2 2/3'+1 3/5', Cymbel 3 fach (2/3') - 1958.
Pedal (C-d'): Violon 16', Subbass 16', Prinzipalbass 8', Choralbaß 4'+2' - 1958.
Accouplements: Manualkoppel, Pedal - I. Manual.
Jouer conseils: 3 Sperrventile.

Autres données des dispositions
Autres dispositions	De oorspronkelijke dispositie luidde: Hauptwerk: Prinzipal 8', Grobgedackt 8', Octava 4', Violen 4', Gemßquinta 3', Superoctava 2', Hoehlflöet 2', Kleingedackt 2', Mixtur 4 fach, Tremulant. Rückpositiv: Quintadena 8', Principal Schwiegel 4', Rohrflöeten 4', Gemßhorne 2', Spitzquinta 1 1/2', Zimbeln 2 fach, Trommete 8', Geygen Regall 4'. Pedal: Untersatz Baß 16', Nachthorn Baß 2', Paurflöett Baß 1', Bosaunen Baß 16'. In 1836 noteerde Wilhelm Boden als dispositie: Hauptwerk (CDE-a''): Prinzipal 8', Gedackt 8', Oktave 4', Gemshorn 4', Quintatön 4', Spitzflöte 4', Quinte 3', Oktave 2', Mixtur 3-6 fach. Rückpositiv (CDE-a''): Quintadena 8', Prinzipal 4', Rohrflöte 4', Gemshorn 2', Gedackt 2', Zimbel 3 fach, Trompete 8', Rankett 8'. Pedal (CDE-a'): Subbass 16', Spitzflöte 2', Fagott 16'. De dispositie van het werk van Reubke (1859) luidde: I. Manual (C-f'''): Bordun 16', Prinzipal 8', Hohlflöte 8', Gedackt 8', Viola di Gamba 8', Oktave 4', Quinte 2 2/3', Oktave 2', Mixtur 5 fach (2'). II. Manual (C-f'''): Prinzipal 8', Gedackt 8', Gemshorn 8', Flauto Traverso 8', Oktave 4', Rohrflöte 4', Spitzflöte 2'. Pedal (C-d'): Subbass 16', Violenbass 16', Oktavbass 8', Posaune 16'.

Autres données des dispositions

Autres dispositions

De oorspronkelijke dispositie luidde:
Hauptwerk: Prinzipal 8', Grobgedackt 8', Octava 4', Violen 4', Gemßquinta 3', Superoctava 2', Hoehlflöet 2', Kleingedackt 2', Mixtur 4 fach, Tremulant.
Rückpositiv: Quintadena 8', Principal Schwiegel 4', Rohrflöeten 4', Gemßhorne 2', Spitzquinta 1 1/2', Zimbeln 2 fach, Trommete 8', Geygen Regall 4'.
Pedal: Untersatz Baß 16', Nachthorn Baß 2', Paurflöett Baß 1', Bosaunen Baß 16'.

In 1836 noteerde Wilhelm Boden als dispositie:
Hauptwerk (CDE-a''): Prinzipal 8', Gedackt 8', Oktave 4', Gemshorn 4', Quintatön 4', Spitzflöte 4', Quinte 3', Oktave 2', Mixtur 3-6 fach.
Rückpositiv (CDE-a''): Quintadena 8', Prinzipal 4', Rohrflöte 4', Gemshorn 2', Gedackt 2', Zimbel 3 fach, Trompete 8', Rankett 8'.
Pedal (CDE-a'): Subbass 16', Spitzflöte 2', Fagott 16'.

De dispositie van het werk van Reubke (1859) luidde:
I. Manual (C-f'''): Bordun 16', Prinzipal 8', Hohlflöte 8', Gedackt 8', Viola di Gamba 8', Oktave 4', Quinte 2 2/3', Oktave 2', Mixtur 5 fach (2').
II. Manual (C-f'''): Prinzipal 8', Gedackt 8', Gemshorn 8', Flauto Traverso 8', Oktave 4', Rohrflöte 4', Spitzflöte 2'.
Pedal (C-d'): Subbass 16', Violenbass 16', Oktavbass 8', Posaune 16'.

Références	Die Geschichte der Compenius-Orgel zu Kroppenstedt : Geschichte der 1603-1613 von Esaias Compenius d.Ä erbauten Orgel in der ev. St.-Martini-Kirche / Gottfried Rehm. - Niebüll : Verlag Videel, 2002. Zum 400. Todestag des Orgelbauers Esaias Compenius (1566 - 1617) / Gerhard Aumüller, Mads Kjersgaard. - In: Ars Organi, 65. Jhg, Heft 2, Juni 2017.
Lièns	http://www.compenius-orgel.de/