Complete description of the selected organ
Hauptstuhl, Deutschland (Rheinland-Pfalz) - Katholische Pfarrkirche Sankt Ägidius
Municipal: Hauptstuhl
Address:
Description nr.: 2073779.
Built by: Mathias Burkhardt (1870)
Replaced (1997)
In 1870 Mathias Burkhard built an organ for the Dreifaltigkeitskirche in Ludwigshafen. It was a small mechanical organ with cone chests. It was sold in 1961. It was placed in the Sankt Ägidiuskirche in Haupstuhl by Paul Zimnol. Here it served until 1997, when a new organ was installed.
Short list of all locations the organ has been
Technical data
Specification
Manual (C-f'''): Principal 8', Gedeckt 8', Salicional 8', Quintatön 8', Octave 4', Mixtur 3 fach (2 2/3').
Pedal (C-c'): Subbaß 16', Octavbaß 8'.
Couplers: Pedalkoppel.
Hauptstuhl, Deutschland (Rheinland-Pfalz) - Katholische Pfarrkirche Sankt Ägidius
Municipal: Hauptstuhl
Address:
Description nr.: 2073779.
Built by: Mathias Burkhardt (1870)
Replaced (1997)
| Year | Builder | Opus | Activity | 1870 | Mathias Burkhardt | new organ | 1961 | Paul Zimnol | transfer/relocate |
In 1870 Mathias Burkhard built an organ for the Dreifaltigkeitskirche in Ludwigshafen. It was a small mechanical organ with cone chests. It was sold in 1961. It was placed in the Sankt Ägidiuskirche in Haupstuhl by Paul Zimnol. Here it served until 1997, when a new organ was installed.
Short list of all locations the organ has been
| 1870 | Ludwigshafen am Rhein | Dreifaltigkeitskirche (Hemshof) |
| 1961 | Hauptstuhl | Katholische Pfarrkirche Sankt Ägidius |
Technical data
| Number of stops per division | |
| - Manual | 6 |
| - Pedal | 2 |
| Total number of stops | 8 |
| Key action | Mechanical |
| Stop action | Mechanical |
| Windchest(s) | Cone chests |
Specification
Manual (C-f'''): Principal 8', Gedeckt 8', Salicional 8', Quintatön 8', Octave 4', Mixtur 3 fach (2 2/3').
Pedal (C-c'): Subbaß 16', Octavbaß 8'.
Couplers: Pedalkoppel.
| Literature |
Die Orgeln des Kreises Kaiserslautern / Bernhard H. Bonkhoff. - In: Mitteilungen der Arbeitsgemeinschaft für mittelrheinische Musikgeschichte, Nr. 67/68, 1997. |