Ausführliche Beschreibung der vorgewählten Orgel
Bild: Jörg R. Becker
Weißenau, Deutschland (Baden-Württemberg) - Convent-Kirche (ehemalige Prämonstratenser-Reichsabteikirche Sankt Peter und Paul)
Gemeinde: Ravensburg
Region:Württemberg
Adresse: Abteistrasse 2/3, 88214, Ravensburg-Weißenau
Website: http://www.pfarrgemeinde-weissenau.de/
Beschreibung nr.: 2003664.
Gebaut von: Johann Nepomuk Holzhey (1785)
Johann Nepomuk Holzhay built a new three-manual organ for the abbey church of Weißenau in 1784/1785. The organ has almost the same structure and disposition as the instrument of the abbey in Obermarchtal, which was completed in 1784. Franz Anton Kiene (1844) and Johann Nepomuk Kiene (1869) modified the disposition and pitch of the organ. The organ was in a dilapidated condition after the Second World War. In 1949-1951 the organ has been restored by the Weigle firm, but it was consolidated in its existing situation. During a thorough restoration by the Sandtner company in the years 1989-1991, the condition of 1785 was reconstructed. The specification has been restored on the basis of a statement by Kaspar Speidel from 1828.
Technische Daten
Disposition
Hauptwerk (C-f''', geteilt zwischen fis°/g°): Prestant 16', Principal 8', Copel 8', Quintadena 8', Gamba 8', Viola 8', Octav 4', Flöten 4', Superoctav 2', Nazard 2 fach (2'), Sexqualter 3-4 fach (3'), Cornet 3 fach (3') (D), Mixtur 6 fach (2'), Trompet 8' - 1991, Claron 4' - 1991.
Positiv (C-f''', geteilt zwischen fis°/g°): Principal 8', Rohrflöten 8', Salicional 8', Unda Maris 8', Flautravers 8', Octav 4', Hohlflöten 4', Fugari 4', Quint 3', Hörnle 2' + 1 3/5'', Cimbal 5 fach (2'), Fagott 8' (B) - 1991, Hautbois 8' (D) - 1991.
Echo (C-f''', geteilt zwischen fis°/g°): Nachthorn 8', Dulciana 8', Spitzflöten 4', Flageolet 2', Cornet Resit 4 fach (4') (D), Vox Humana 8' (B/D) - 1991, Cromorn 8' (B) - 1991, Schalmei 8' (D) - 1991, Tremulant (D).
Pedal (C-d'): Subbass 16', Octavbass 8', Violonbass 8', Cornetbass 4 fach (4'), Bompard 16' - 1991, Trompet 8' - 1991, Claron 4' - 1991.
Koppeln: Hauptwerk - Positiv, Hauptwerk - Echo, Pedal - Hauptwerk.
Übrige Quellen
Bild: Jörg R. Becker
Weißenau, Deutschland (Baden-Württemberg) - Convent-Kirche (ehemalige Prämonstratenser-Reichsabteikirche Sankt Peter und Paul)
Gemeinde: Ravensburg
Region:Württemberg
Adresse: Abteistrasse 2/3, 88214, Ravensburg-Weißenau
Website: http://www.pfarrgemeinde-weissenau.de/
Beschreibung nr.: 2003664.
Gebaut von: Johann Nepomuk Holzhey (1785)
Jahr | Orgelbauer | Opus | Aktivität | 1785 | Johann Nepomuk Holzhey | Neubau | 1844 | Franz Anton Kiene | Änders der Disposition | 1869 | Johann Nepomuk Kiene | Änders der Disposition | 1951 | Weigle Orgelbau | Restaurierung | 1991 | Sandtner Orgelbau | 168 | Restaurierung |
Johann Nepomuk Holzhay built a new three-manual organ for the abbey church of Weißenau in 1784/1785. The organ has almost the same structure and disposition as the instrument of the abbey in Obermarchtal, which was completed in 1784. Franz Anton Kiene (1844) and Johann Nepomuk Kiene (1869) modified the disposition and pitch of the organ. The organ was in a dilapidated condition after the Second World War. In 1949-1951 the organ has been restored by the Weigle firm, but it was consolidated in its existing situation. During a thorough restoration by the Sandtner company in the years 1989-1991, the condition of 1785 was reconstructed. The specification has been restored on the basis of a statement by Kaspar Speidel from 1828.
Technische Daten
Anzahl Register pro Manual | |
- Hauptwerk | 15 |
- Positiv | 12 |
- Echo | 7 |
- Pedal | 7 |
Gesamtzahl der Stimmen | 41 |
Tastentraktur | Mechanical |
Registertraktur | Mechanical |
Windlade(n) | Slider chests |
Tonhöhe | a' = 442 Hz |
Temperatur | Werckmeister III |
Disposition
Hauptwerk (C-f''', geteilt zwischen fis°/g°): Prestant 16', Principal 8', Copel 8', Quintadena 8', Gamba 8', Viola 8', Octav 4', Flöten 4', Superoctav 2', Nazard 2 fach (2'), Sexqualter 3-4 fach (3'), Cornet 3 fach (3') (D), Mixtur 6 fach (2'), Trompet 8' - 1991, Claron 4' - 1991.
Positiv (C-f''', geteilt zwischen fis°/g°): Principal 8', Rohrflöten 8', Salicional 8', Unda Maris 8', Flautravers 8', Octav 4', Hohlflöten 4', Fugari 4', Quint 3', Hörnle 2' + 1 3/5'', Cimbal 5 fach (2'), Fagott 8' (B) - 1991, Hautbois 8' (D) - 1991.
Echo (C-f''', geteilt zwischen fis°/g°): Nachthorn 8', Dulciana 8', Spitzflöten 4', Flageolet 2', Cornet Resit 4 fach (4') (D), Vox Humana 8' (B/D) - 1991, Cromorn 8' (B) - 1991, Schalmei 8' (D) - 1991, Tremulant (D).
Pedal (C-d'): Subbass 16', Octavbass 8', Violonbass 8', Cornetbass 4 fach (4'), Bompard 16' - 1991, Trompet 8' - 1991, Claron 4' - 1991.
Koppeln: Hauptwerk - Positiv, Hauptwerk - Echo, Pedal - Hauptwerk.
Gemischte Stimme | Zusammensetzung |
Nazard 2 fach (Hauptwerk) | C: 2' - 1 1/3'. c°: 2 2/3' - 2'. |
Sexqualter 3-4 fach (Hauptwerk) | C: 2 2/3' - 2' - 1 3/5'. c°: 2 2/3' - 2' - 2' - 1 3/5'. c': 4' - 2 2/3' - 2' - 1 3/5'. |
Cornet 3 fach (Hauptwerk) | g°: 2 2/3' - 2' - 1 3/5'. |
Mixtur 6 fach (Hauptwerk) | C: 2' - 1 1/3' - 1' - 4/5' - 2/3' - 1/2'. c': 4' - 2 2/3' - 2' - 1 3/5' - 1 1/3' - 1'. c'': 4' - 2 2/3' - 2 2/3' - 2' - 2' - 1 3/5'. |
Cimbal 5 fach (Positiv) | C: 2' - 1' - 2/3' - 1/2' - 1/3'. c': 4' - 2' - 1 1/3' - 1' - 2/3'. c'': 4' - 2 2/3' - 2' - 2' - 1 1/3'. |
Cornet Resit 4 fach (Echo) | g°: 4' - 2 2/3' - 2' - 1 3/5'. |
Cornetbass 4 fach (Pedal) | C: 4' - 2 2/3' - 2' - 1 3/5'. |
Übrige dispositiondaten | |
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Mehrere dispositionen |
After the 1951 restoration, the stop list was: Hauptwerk: Prästant 16', Prinzipal 8', Gamba 8', Viola 8', Flöte 8', Gedeckt 8', Oktave 4', Flöte 4', Quinte 2 2/3', Oktave 2', Sesquialtera 3 fach, Kornett 4 fach, Piffaro 2 fach, Mixtur 4 fach, Trompete 8'. Oberwerk: Bourdon 16', Prinzipal 8', Quintade 8', Rohrflöte 8', Traversflöte 8', Salizional 8', Oktave 4', Flöte 4', Fugara 4', Zimbel 3 fach, Hautbois 8'. Unterwerk: Gedackt 8', Dulciana 8', Fugara 4', Flageolett 2', Nasard 2-3 fach, Kornett 3 fach, Vox Humana 8'. Pedal: Bourdon 16', Zimbalonbaß 8', Subbaß 8', Violinbaß 8', Mixturbaß 3 fach, Posaune 16', Trompete 8'. |
Literatur |
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Aufnahmen |
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- Friedrich Weigle Orgelbau
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