Ausführliche Beschreibung der vorgewählten Orgel
Bild: Véronique Pagnier
Riez, France (Alpes-de-Haute-Provence (04)) - Cathédrale Notre-Dame-de-l'Assomption
Gemeinde: Riez
Region:Provence
Adresse: 2 rue du Faubourg Saint Sébastien, 04500, Riez
Beschreibung nr.: 2023977.
Gebaut von: Victor Fenon (1847)
The organ in the cathedral of Riez was built in 1847 by Victor Fenon. The instrument has one manual with ten stops and an indepentent pedal with two stops. In 1950 the pedal board was renewed by Jean-Albert Négrel. Alain Sals carried out a restoration in 1980.
Technische Daten
Disposition
Manual (C-f'''): Montre 8', Flûte 8' (B/D), Voix Angélique 8', Prestant 4', Quinte 2 2/3', 1ère Doublette 2', 2ème Doublette 2', Fourniture 2 rangs, Cymbale 2 rangs, Trompette 8' (B/D).
Pédale (C-e°): Flûte 8', Trompette 8'.
Nebenregister und Spielhilfen: Tremblant Doux.
Übrige Quellen
Bild: Véronique Pagnier
Riez, France (Alpes-de-Haute-Provence (04)) - Cathédrale Notre-Dame-de-l'Assomption
Gemeinde: Riez
Region:Provence
Adresse: 2 rue du Faubourg Saint Sébastien, 04500, Riez
Beschreibung nr.: 2023977.
Gebaut von: Victor Fenon (1847)
| Jahr | Orgelbauer | Opus | Aktivität | 1847 | Victor Fenon | Neubau | 1950 | Jean-Albert Négrel | Verschiedene Tätigkeiten | 1980 | Alain Sals | Restaurierung |
The organ in the cathedral of Riez was built in 1847 by Victor Fenon. The instrument has one manual with ten stops and an indepentent pedal with two stops. In 1950 the pedal board was renewed by Jean-Albert Négrel. Alain Sals carried out a restoration in 1980.
Technische Daten
| Anzahl Register pro Manual | |
| - Manual | 10 |
| - Pédale | 2 |
| Gesamtzahl der Stimmen | 12 |
| Tastentraktur | Mechanical |
| Registertraktur | Mechanical |
| Windlade(n) | Slider chests |
Disposition
Manual (C-f'''): Montre 8', Flûte 8' (B/D), Voix Angélique 8', Prestant 4', Quinte 2 2/3', 1ère Doublette 2', 2ème Doublette 2', Fourniture 2 rangs, Cymbale 2 rangs, Trompette 8' (B/D).
Pédale (C-e°): Flûte 8', Trompette 8'.
Nebenregister und Spielhilfen: Tremblant Doux.
- Jean-Alain Ripoche