Ausführliche Beschreibung der vorgewählten Orgel
Bild: Topic-Topos
Bécon-les-Bruyères, France (Hauts-de-Seine (92)) - Église Saint-Maurice
Gemeinde: Courbevoie
Region:Île-de-France
Adresse: 218 Rue Armand Silvestre, 92400, Bécon-les-Bruyères
Website: https://www.saintmauricedebecon.com/
Beschreibung nr.: 2010604.
Gebaut von: Aristide Cavaillé-Coll (1865)
Kurze Übersicht der Orte, an denen die Orgel gestanden hat
Technische Daten
Disposition
Grand Orgue (C-g'''): Bourdon 16', Montre 8', Bourdon 8', Flûte Harmonique 8', Viola da Gamba 8', Prestant 4', Progressio Harmonica 3-6 rangs, Tuba Major 16', Trompette 8', Clairon Harmonique 4', Physharmonica.
Positif Expressif (C-g'''): Quintaton 16', Pastorila 8', Fugara 8', Unda Maris 8' - 2015, Salicional 8' - 2015, Flûte Octaviante 4', Octavin 2', Piccolissimo 1', Basson-Hautbois 8', Cromorne 8'.
Récit Expressif (C-g'''): Flûte Angélique 8', Viole d'Amour 8', Voix Céleste 8', Flûte Traversière 4', Flûte Champêtre 2', Trompette Harmonique 8', Voix Humaine 8', Musette 8'.
Pédale (C-d'): Untersatz 32', Principal-Bass 16', Subbass 16', Grosse Flûte 8', Violoncelle 8' - 2015, Bombarde 16', Trompette 8', Clairon 4'.
Koppeln: Accouplement du Positif au Grand Orgue, Accouplement du Récit au Grand Orgue, Tirasse Grand Orgue, Tirasse Positif, Tirasse Récit.
Nebenregister und Spielhilfen: Appel Anches Grand-Orgue, Appel Anches Positif, Appel Anches Récit, Appel Anches Pédale.
Übrige Quellen
Bild: Topic-Topos
Bécon-les-Bruyères, France (Hauts-de-Seine (92)) - Église Saint-Maurice
Gemeinde: Courbevoie
Region:Île-de-France
Adresse: 218 Rue Armand Silvestre, 92400, Bécon-les-Bruyères
Website: https://www.saintmauricedebecon.com/
Beschreibung nr.: 2010604.
Gebaut von: Aristide Cavaillé-Coll (1865)
| Jahr | Orgelbauer | Opus | Aktivität | 1865 | Aristide Cavaillé-Coll | Neubau | 1913 | Charles Mutin | Übersetzung | 1976 | Jean Jonet | Restaurierung | 1985 | Jean Barbéris | Verschiedene Tätigkeiten | 2015 | Nicolas Toussaint | Restaurierung | 2015 | Laurent Plet | Restaurierung |
- In 1865, Aristide Cavaillé-Coll built an organ for the Marquis Ernest-Marie-Charles de Lambertye à Gerbevillier, who had a chapel built on his estate. The organ was put into use in October 1865. After the death of the Marquis in 1904, the organ was sold in 1909 and transferred to the church of Saint-Maurice in Bécon-les-Bruyères. Charles Mutin transferred it in 1912/1913, during which the instrument underwent some changes. A new organ case with a new front was also built, because of the space available to place the organ. Eugène Gigout played the inauguration concert on April 6, 1913.
- Over time, the organ has been extensively modified. Much of the original pipework has been replaced by other, stops have been removed, the wind pressure has been changed and ultimately the organ fell into disrepair. It was no longer playable. Some renovation works were carried out by Jean Jonet in 1976 and Jean Barbéris in 1985.
- In 2010, plans were started for a reconstruction of the organ to its 1865 condition. This work was carried out in the years 2013-2015 by Nicolas Toussaint and Laurent Plet.
Kurze Übersicht der Orte, an denen die Orgel gestanden hat
| 1865 | Gerbéviller | Chapelle Privée du Marquis de Lambertye |
| 1909 | Bécon-les-Bruyères | Église Saint-Maurice |
Technische Daten
| Anzahl Register pro Manual | |
| - Grand Orgue | 11 |
| - Positif Expressif | 10 |
| - Récit Expressif | 8 |
| - Pédale | 8 |
| Gesamtzahl der Stimmen | 37 |
| Tastentraktur | Mechanical |
| Registertraktur | Mechanical |
| Windlade(n) | Slider chests |
Disposition
Grand Orgue (C-g'''): Bourdon 16', Montre 8', Bourdon 8', Flûte Harmonique 8', Viola da Gamba 8', Prestant 4', Progressio Harmonica 3-6 rangs, Tuba Major 16', Trompette 8', Clairon Harmonique 4', Physharmonica.
Positif Expressif (C-g'''): Quintaton 16', Pastorila 8', Fugara 8', Unda Maris 8' - 2015, Salicional 8' - 2015, Flûte Octaviante 4', Octavin 2', Piccolissimo 1', Basson-Hautbois 8', Cromorne 8'.
Récit Expressif (C-g'''): Flûte Angélique 8', Viole d'Amour 8', Voix Céleste 8', Flûte Traversière 4', Flûte Champêtre 2', Trompette Harmonique 8', Voix Humaine 8', Musette 8'.
Pédale (C-d'): Untersatz 32', Principal-Bass 16', Subbass 16', Grosse Flûte 8', Violoncelle 8' - 2015, Bombarde 16', Trompette 8', Clairon 4'.
Koppeln: Accouplement du Positif au Grand Orgue, Accouplement du Récit au Grand Orgue, Tirasse Grand Orgue, Tirasse Positif, Tirasse Récit.
Nebenregister und Spielhilfen: Appel Anches Grand-Orgue, Appel Anches Positif, Appel Anches Récit, Appel Anches Pédale.
| Übrige dispositiondaten | |
|---|---|
| Mehrere dispositionen |
De dispositie luidde voor de laatste restauratie: Grand Orgue Expressif: Bourdon 16', Montre 8', Bourdon 8', Viola da Gamba 8', Flûte Harmonique 8', Prestant 4', Progressio Harmonica 2 rangs, Physharmonica 3 rangs, Tuba Major 16', Trompette 8', Clairon Harmonique 4'. Positif Expressif: Quintaton 16', Fugara 8', Pastorita 8', Flûte Octaviante 8', Quinte 2 2/3', Octavin 2', Tierce 1 3/5', Piccolissimo 1', Basson-Hautbois 8', Voix Humaine 8'. Récit Expressif: Viole d'Amour 8', Voix Céleste 8', Flûte Angélique 8', Flûte Octaviante 4', Flûte Pastorale 2', Cromorne 8', Trompette 8', Musette 4'. Pédale: Untersatz 32', Principal-Bass 16', Subbass 16', Flûte 8', Violoncelle 8', Bombarde 16', Trompette 8', Clairon 4'. Koppelingen: Accouplement du Positif au Grand Orgue, Accouplement du Récit au Grand Orgue, Tirasse Grand Orgue, Tirasse Positif, Tirasse Récit. Speelhulpen: Appel Anches Grand-Orgue, Appel Anches Positif, Appel Anches Récit, Appel Anches Pédale. |
| Literatur |
|
| Aufnahmen |
|
- Jean-Alain Ripoche