Base de Donnée des Orgues | Carte d'orgue selectée

Description complète d'orgue sélectionné

Source: Het Orgelblad, september 1969

Budapest, Magyarország (Budapest) - Zeneakadémia (Liszt Ferenc Zeneművészeti Egyetem)
Commune: Budapest
Site Web: http://www.zeneakademia.hu/

Description no.: 2000805.

Bâti par: Heinrich Voit & Söhne (1907)

Année	Facteur	Opus	Activité
1907	Heinrich Voit & Söhne	975	orgue neuf
1924	József és fia Angster		conversion
1967	E.F. Walcker & Cie.	5200	orgue neuf dans buffet vieille
2018	Klais Orgelbau		reconstruction

In 1905 it was decided to have a large concert organ built for the Main Hall of the Budapest Music College. The organ builder Voit & Söhne was chosen. They built the instrument in two years. It was inaugurated in 1907. The organ had four manuals and a pedal with 74 stops. The action was electro-pneumatic. The prospect of the instrument was designed in Jugendstil, as was the entire building.
The Angster organ factory converted the organ in 1924. In 1954, another major renovation followed by the Hungarian state organ builder. However, it turned out to no longer function properly, and it kept getting worse. In 1965 it was decided to replace the organ with a new instrument behind the old facade. The German firm Walcker built this organ, that was put into use on September 9, 1967.
In 2011 the interior of Walcker was removed. The concert hall was restored in 2011-2012, as was the 1907 Voit prospect. Plans were made to reconstruct the Voit organ, many of which many parts, including pipework, wind chests and a bellow) have been traced in other organs in Hungary. They were acquired for the purpose of the reconstruction.
The reconstruction was carried out by Klais Orgelbau in the years 2015-2018. The organ was inaugurated again on October 22, 2018.

Données techniques

Nombre de registres par manuel
- I. Manual	16 (15)
- II. Manual	16
- III. Manual (Schwellwerk)	14
- IV. Manual (Schwellwerk)	12
- Pedal	18 (15)
Nombre de jeux total	76 (72)
Transmission des clés	Electropneumatic
Transmission des jeux	Electropneumatic
Sommier(s)	Voit winchests
Hauteur tonale	a' = 440 Hz
Température	Equal temperament
Presse de Vent	90 mm (IV. Manual), 100 mm (III. Manual), 110 mm (II. Manual), 120 mm (I. Manual), 150 mm (Pedal), 250 mm (Tuba Mirabilis)

Composition
I. Manual (C-g'''): Principal 16', Principal 8', Flauto concert 8', Pileata 8', Corne de Chamoix 8', Fugara 8', Dolce 8', Ottava 4', Flauto 4', Ottavino 2', Cornetto 5 fach (8'), Mixtura 4 fach (2'), Basson 16', Tromba 8', Clarino 4', Tuba Mirabilis 8' - transmission.
II. Manual (C-g'''): Bourdon 16', Principal 8', Flute Harmonique 8', Pileata 8', Gamba 8', Chalumeau 8', Salicional 8', Unda Maris 8', Ottava 4', Flauto Tibia 4', Dolce 4', Piccolo 2', Cembalo 3 fach (2'), Acuta 4 fach (2'), Clarinette 8', Tuba Mirabilis 8' - high pressure.
III. Manual (Schwellwerk) (C-g'''): Quintatön 16', Violino Princip 8', Flute d'Amour 8', Pileata Dolce 8', Echo Gamba 8', Aeolina 8', Vox Coelestis 8', Ottava 4', Flauto Traverse 4', Violino 4', Flauto Sylvestre 2', Harmonia Aetherea 4 fach (2 2/3'), Trompette Harmonique 8', Oboe 8'.
IV. Manual (Schwellwerk) (C-g'''): Flauto Pileata 16', Principal 8', Flauto Cuspida 8', Quintatön 8', Bourdon 8', Viola 8', Vox Angelica 8', Praestant 4', Flauto Dolce 4', Flageolet 2', Sesquialtera 2 fach (2 2/3'), Vox Humana 8', Tremolo für Vox Humana, Carillon (Celesta) 4'.
Pedal (C-f'): Grand Bourdon 32' - in Swell III. Manual, Principal 16', Subbasso 16', Bourdonbass 16' - in Swell III. Manual, Violon 16', Harmonicabass 16', Quinta 10 2/3', Ottava Basso 8', Flauto Basso 8', Cello 8', Salicet Basso 8' - in Swell III. Manual, Dolce 8' - transmission, Ottava 4', Bombardo 32', Trombon 16', Fagotto 16' - transmission, Tromba 8', Clarino 4' - transmission.
Accouplements: I. Manual - I. Manual super, I. Manual - II. Manual, I. Manual - II. Manual sub, I. Manual - III. Manual, I. Manual - III. Manual super, I. Manual - IV. Manual, II. Manual - III. Manual, II. Manual - IV. Manual, III. Manual - IV. Manual, Pedal - I. Manual, Pedal - II. Manual, Pedal - III. Manual, Pedal - IV. Manual, Generalkoppel.
Jouer conseils: 3 freie Kombinationen 8', Setzer-Kombinationen 3', 4 feste Kombinationen (per Manual) (p - mf - f - ff) 4', Generaltutti, Tutti ohne Zungen, Tutti Zungen, General Crescendo, Pianopedal II. Manual, Pianopedal III. Manual, Pianopedal IV. Manual, Zungen Ab.

Autres données des dispositions
Autres dispositions	The Walcker specification from 1967 was: Hauptwerk (C-c''''): Prinzipal 16', Bourdon 16', Prinzipal 8', Rohrflöte 8', Hohlflöte 8', Gemshorn 8', Oktave 4', Nachthorn 4', Quinte 2 2/3', Superoktave 2', Blockflöte 2', Rauschpfeife 5 fach (4'), Mixtur Major 6-8 fach (2'), Mixtur Minor 5 fach (1'), Trompete 16', Trompete 8', Trompete 4'. Positivwerk (C-c''''): Gedackt 8', Quintadena 8', Prinzipal 4', Blockflöte 4', Oktave 2', Spitzflöte 2', Quinte 1 1/3', Superoktave 1', Sesquialtera 2 fach (2 2/3'), Scharf 6 fach (1 1/3'), Quintcimbel 3 fach (1/3'), Krummhorn 8', Trichterregal 4', Tremolo. Schwellwerk (C-c''''): Gedacktpommer 16', Italienische Prinzipal 8', Querflöte 8', Lieblich Gedackt 8', Vox Coelestis 8' (2 sor), Violoktave 4', Koppelflöte 4', Nasat 2 2/3', Trichterflöte 2', Kornett 3 fach (2 2/3'), Scriari 3 fach (2'), Mixtur 6-7 fach (1 1/3'), Französische Trompete 8', Oboe 8', Vox Humana 8', Clairon 4', Tremolo. Schwellpositiv (C-c''''): Holzprinzipal 8', Nachthorn Gedackt 8', Salicional 8', Gemshorn 4', Konzerflöte 4', Gedacktquinte 2 2/3', Prinzipal 2', Waldflöte 2', Terzflöte 1 3/5', Larigot 1 1/3', Septime 1 1/7', Sifflöte 1', Obertöne 2 fach (2/9' + 2/11'), Acuta 4 fach (1'), Terzzimbel 3 fach (1/5'), Rankett 16', Dulcian 8', Schalmey 4', Tremolo, Campanelli (Harangok). Pedal (C-g'): Untersatz 32', Prinzipal 16', Kontrabaß 16', Subbaß 16', Großquint 10 2/3', Oktav 8', Baßflöte 8', Choralbaß 4', Bauernflöte 2', Rauschbaß 7 fach (5 1/3'), Hintersatz 6 fach (2 2/3'), Mixtur 5 fach (1 1/3'), Posaune 16', Dulzian 16', Trompete 8', Klarine 4', Singend Kornett 2'. Schwellpedal: Lieblich Gedack 16', Spitzgedackt 8', Quintadena 4'. Couplers: Hauptwerk - Positivwerk, Hauptwerk - Schwellwerk, Hauptwerk - Schwellpositiv, Positivwerk - Schwellwerk, Positivwerk - Schwellpositiv, Schwellwerk - Schwellpositiv, Pedal - Hauptwerk, Pedal - Positivwerk, Pedal - Schwellwerk, Pedal - Schwellpositiv. Accessories: 8 Setzerkombinationen 8', 3 freie Pedalkombinationen 3', 4 feste Kombinationen (Tutti, Pleno, Ripieno, Forte) 4', Pleno I. Manual, Pleno II. Manual, Pleno III. Manual, Pleno IV. Manual, Pleno Pedal, Registercrescendo, Zungen Ab. Electric action and slider chests.

Autres données des dispositions

Autres dispositions

The Walcker specification from 1967 was:
Hauptwerk (C-c''''): Prinzipal 16', Bourdon 16', Prinzipal 8', Rohrflöte 8', Hohlflöte 8', Gemshorn 8', Oktave 4', Nachthorn 4', Quinte 2 2/3', Superoktave 2', Blockflöte 2', Rauschpfeife 5 fach (4'), Mixtur Major 6-8 fach (2'), Mixtur Minor 5 fach (1'), Trompete 16', Trompete 8', Trompete 4'.
Positivwerk (C-c''''): Gedackt 8', Quintadena 8', Prinzipal 4', Blockflöte 4', Oktave 2', Spitzflöte 2', Quinte 1 1/3', Superoktave 1', Sesquialtera 2 fach (2 2/3'), Scharf 6 fach (1 1/3'), Quintcimbel 3 fach (1/3'), Krummhorn 8', Trichterregal 4', Tremolo.
Schwellwerk (C-c''''): Gedacktpommer 16', Italienische Prinzipal 8', Querflöte 8', Lieblich Gedackt 8', Vox Coelestis 8' (2 sor), Violoktave 4', Koppelflöte 4', Nasat 2 2/3', Trichterflöte 2', Kornett 3 fach (2 2/3'), Scriari 3 fach (2'), Mixtur 6-7 fach (1 1/3'), Französische Trompete 8', Oboe 8', Vox Humana 8', Clairon 4', Tremolo.
Schwellpositiv (C-c''''): Holzprinzipal 8', Nachthorn Gedackt 8', Salicional 8', Gemshorn 4', Konzerflöte 4', Gedacktquinte 2 2/3', Prinzipal 2', Waldflöte 2', Terzflöte 1 3/5', Larigot 1 1/3', Septime 1 1/7', Sifflöte 1', Obertöne 2 fach (2/9' + 2/11'), Acuta 4 fach (1'), Terzzimbel 3 fach (1/5'), Rankett 16', Dulcian 8', Schalmey 4', Tremolo, Campanelli (Harangok).
Pedal (C-g'): Untersatz 32', Prinzipal 16', Kontrabaß 16', Subbaß 16', Großquint 10 2/3', Oktav 8', Baßflöte 8', Choralbaß 4', Bauernflöte 2', Rauschbaß 7 fach (5 1/3'), Hintersatz 6 fach (2 2/3'), Mixtur 5 fach (1 1/3'), Posaune 16', Dulzian 16', Trompete 8', Klarine 4', Singend Kornett 2'.
Schwellpedal: Lieblich Gedack 16', Spitzgedackt 8', Quintadena 4'.
Couplers: Hauptwerk - Positivwerk, Hauptwerk - Schwellwerk, Hauptwerk - Schwellpositiv, Positivwerk - Schwellwerk, Positivwerk - Schwellpositiv, Schwellwerk - Schwellpositiv, Pedal - Hauptwerk, Pedal - Positivwerk, Pedal - Schwellwerk, Pedal - Schwellpositiv.
Accessories: 8 Setzerkombinationen 8', 3 freie Pedalkombinationen 3', 4 feste Kombinationen (Tutti, Pleno, Ripieno, Forte) 4', Pleno I. Manual, Pleno II. Manual, Pleno III. Manual, Pleno IV. Manual, Pleno Pedal, Registercrescendo, Zungen Ab.
Electric action and slider chests.

Références

Die Gestaltung des Orgelspieltisches / Werner Walcker-Mayer. - Ludwigsburg : E.F. Walcker & Cie., 1968.
Het nieuwe orgel in de Ferenc-Liszt-Hogeschool te Budapest. - In: Het Orgelblad, jrg. 12 nr. 9, september 1969. - Overgenomen uit "Walcker Hausmitteilung" nr. 40, januari 1969.
Az újjászületett Organo 1907-2018 : Voit & Söhne op. 975. - Budapest : Zeneakadémia, 2018.
Das Opus Magnum der Firma Voit & Söhne in der Musikuniversität Budapest : Wie ein Phönix aus der Asche / Balász Szabó. - In: Ars Organi, 67. Jhg, Heft 1, März 2019.
Het Voit-orgel in de Franz Liszt Muziekacademie in Boedapest / Gerco Schaap. - In: De Orgelvriend, jrg. 62 nr. 9, November 2020.

Lièns

https://klais.de/m.php?tx=237