Description complète d'orgue sélectionné
Source: Collectie Gertjan Ronner
Buenos Aires, Argentina (Buenos Aires) - Basílico del Santísimo Sacramento
Commune: Buenos Aires
Adresse: San Martín 1039, C1004 CABA, Buenos Aires
Description no.: 2000491.
Bâti par: Charles Mutin (1912)
Données techniques
Composition
Grand Orgue (C-c''''): Montre 16', Bourdon 16', Principal Fort 8', Montre 8', Flûte Harmonique 8', Bourdon 8', Violoncelle 8', Quinte 5 1/3', Prestant 4', Nazard 2 2/3', Doublette 2', Cornet 5 rangs, Fourniture 5 rangs, Cymbale 4 rangs, Bombarde 16', Trompette 8', Clairon 4'.
Positif Expressif (C-c''''): Quintaton 16', Principal 8', Flûte Harmonique 8', Cor de Nuit 8', Salicional 8', Unda Maris 8', Octave 4', Flûte Octaviante 4', Quinte Bouchée 2 2/3', Flageolet 2', Tierce 1 3/5', Cor Anglais 16', Trompette Royale 8', Clarinette 8', Soprano Harmonique 4', Trémolo.
Récit Expressif (C-c''''): Bourdon 16', Diapason 8', Flûte Harmonique 8', Viole de Gambe 8', Voix Céleste 8', Flûte Octaviante 4', Octavin 2', Cornet 5 rangs, Plein Jeu 7 rangs, Basson 16', Trompette Harmonique 8', Basson-Hautbois 8', Voix Humaine 8', Clairon Harmonique 4', Trémolo.
Solo (C-c''''): Cor de Nuit 16', Grosse Flûte 8', Jubal 8', Flûte d'Orchestre 4', Viola 4', Éoline 4', Quinte 2 2/3', Larigot 2', Tierce 1 3/5', Septième 1 1/7', Tuba Mirabilis 8', Cor d'Harmonie 4', Trémolo, Cloches.
Pédale (C-g'): Acoustique 32', Contrebasse Forte 16', Contrebasse 16', Soubasse 16', Violon Basse 16', Quinte 10 2/3' - unit, Basse Bouchée 8' - unit, Flûte 8', Bourdon 8', Violin Diapason 8', Quinte 5 1/3', Flûte Ouverte 4', Trombone 16', Trompette 8', Clairon 4', Cloches.
Accouplements: Grand Orgue - Positif, Grand Orgue - Récit, Grand Orgue - Solo, Positif - Récit, Positif - Solo, Récit - Solo, Solo - Grand Orgue, Pédale - Grand Orgue, Pédale - Positif, Pédale - Récit, Pédale - Solo, Superoctaafkoppel per werk aan het pedaal, Suboctaafkoppel per klavier, Anulador del Unisono al I, II, III, IV.
Jouer conseils: 8 Combinations Libre, Tutti, Piano-pédale, Pédale Grand Orgue, Union de las Expresiones, Appel Anches, Grand Choeur (Grand Orgue / Positif), Cornet (Grand Orgue / Positif), Crescendo-Descrescendo.
Autres sources
YouTube
The M. Cavaillé-Coll in Buenos Aires – Adoro te Devote / Cristiano Rizzotto (2014)
Source: Collectie Gertjan Ronner
Buenos Aires, Argentina (Buenos Aires) - Basílico del Santísimo Sacramento
Commune: Buenos Aires
Adresse: San Martín 1039, C1004 CABA, Buenos Aires
Description no.: 2000491.
Bâti par: Charles Mutin (1912)
| Année | Facteur | Opus | Activité | 1912 | Charles Mutin | orgue neuf | 1955 | Giovanni Tamburini | conversion | 1983 | Amadini & Weinhold | activités différentes |
- The Mutin organ in the Basilica of the Blessed Sacrament in Buenos Aires, Argentina was a gift from the wealthy widow Mercedes Anchorena. For this occasion she traveled to Paris in person to view and listen to the work of Charles Mutin. In 1912 the instrument was ready in the workshop in Paris, after which it was shipped to Argentina. In 1915 it could be inaugurated with a concert by the French organist Jules Beyer. On request - without preparation and by heart - he played the Toccata from the 5th Symphony of Widor.
- As far as is known, the organ has remained unchanged in terms of composition. In 1955, the Italian firm Tamburini installed a new electric console. The fate of the original Mutin console is unknown. Tamburini took the opportunity to change the order of the keyboards. The Positif Expressif was now playable from the first manual, the Grand Orgue from the second. In addition, a large number of playing aids were installed on request. In addition to the usual sub and super octave couples, a 'Quint sub couple' is available for the pedal, which acoustically results in a 32-foot sounding stop. Composed Cornets are also available for the Récit and Positif at the touch of a button. Finally, the organ has two complete chimes, playable from Pédale and Solo. The organ is currently in excellent condition.
Données techniques
| Nombre de registres par manuel | |
| - Grand-Orgue | 17 |
| - Positif Expressief | 15 |
| - Récit Expressif | 14 |
| - Solo | 12 |
| - Pédale | 15 (13) |
| Nombre de jeux total | 73 (71) |
| Transmission des clés | Electropneumatic |
| Transmission des jeux | Electropneumatic |
| Sommier(s) | Cone chests |
Composition
Grand Orgue (C-c''''): Montre 16', Bourdon 16', Principal Fort 8', Montre 8', Flûte Harmonique 8', Bourdon 8', Violoncelle 8', Quinte 5 1/3', Prestant 4', Nazard 2 2/3', Doublette 2', Cornet 5 rangs, Fourniture 5 rangs, Cymbale 4 rangs, Bombarde 16', Trompette 8', Clairon 4'.
Positif Expressif (C-c''''): Quintaton 16', Principal 8', Flûte Harmonique 8', Cor de Nuit 8', Salicional 8', Unda Maris 8', Octave 4', Flûte Octaviante 4', Quinte Bouchée 2 2/3', Flageolet 2', Tierce 1 3/5', Cor Anglais 16', Trompette Royale 8', Clarinette 8', Soprano Harmonique 4', Trémolo.
Récit Expressif (C-c''''): Bourdon 16', Diapason 8', Flûte Harmonique 8', Viole de Gambe 8', Voix Céleste 8', Flûte Octaviante 4', Octavin 2', Cornet 5 rangs, Plein Jeu 7 rangs, Basson 16', Trompette Harmonique 8', Basson-Hautbois 8', Voix Humaine 8', Clairon Harmonique 4', Trémolo.
Solo (C-c''''): Cor de Nuit 16', Grosse Flûte 8', Jubal 8', Flûte d'Orchestre 4', Viola 4', Éoline 4', Quinte 2 2/3', Larigot 2', Tierce 1 3/5', Septième 1 1/7', Tuba Mirabilis 8', Cor d'Harmonie 4', Trémolo, Cloches.
Pédale (C-g'): Acoustique 32', Contrebasse Forte 16', Contrebasse 16', Soubasse 16', Violon Basse 16', Quinte 10 2/3' - unit, Basse Bouchée 8' - unit, Flûte 8', Bourdon 8', Violin Diapason 8', Quinte 5 1/3', Flûte Ouverte 4', Trombone 16', Trompette 8', Clairon 4', Cloches.
Accouplements: Grand Orgue - Positif, Grand Orgue - Récit, Grand Orgue - Solo, Positif - Récit, Positif - Solo, Récit - Solo, Solo - Grand Orgue, Pédale - Grand Orgue, Pédale - Positif, Pédale - Récit, Pédale - Solo, Superoctaafkoppel per werk aan het pedaal, Suboctaafkoppel per klavier, Anulador del Unisono al I, II, III, IV.
Jouer conseils: 8 Combinations Libre, Tutti, Piano-pédale, Pédale Grand Orgue, Union de las Expresiones, Appel Anches, Grand Choeur (Grand Orgue / Positif), Cornet (Grand Orgue / Positif), Crescendo-Descrescendo.
| Références |
Historic pipe organs in Argentina : A hidden treasure / Ezequiel Martín Menéndez. - Boston : Boston University, College of Fine Arts, 2006. |
- Gertjan Ronner
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